Lindsay McLeod, Winter 2017

EXCAPE

 

A paradise drive thru,

a hasty relationship

with average accepted

stumbling, for the sake

of a desperate escape

 

she became

the sorry nominee that

lost her fragile parasol

inside the folding wave.

 

But anon anon this

servant’s armour refused

the gnawing rhythm when

inside the corrupted divine

she heard the critical comedy

in commonsense come lately.

 

Picture that purposeful power.

A release resolutely tiptoeing

behind that clouded curtain to

find a fortune’s freedom unrehearsed.

 

The welcome departure relieving

yet another unbelieving artificial

sacrificial anniversary and sometimes,

yes, just sometimes sweetheart,

the grass really is greener.

 

 

ACCURSÉD

 

If nothing is sacred

 

then I’m going to lie here

and do absolutely nothing

 

while you mow the lawn

like some kind of no good

 

god damned heretic.

 

 

RESURRECTION MAN

 

I’ve forgotten how many times I’ve pleaded for amnesia,

how many oftens the accumulated weight of my stuff has

pushed against the closet door until its bursting forth

 

in a clumsy rush of breathtaking flame juggling memories,

all lights flashing, siren songs blaring, that call for me

to slide back into the tailgating peak hour slipstream

 

from my here (crucified upon the mast of my nowadays)

where I reach with the fingers of  my left (behind) hand

tongued by the licking flames of bright burning bridges,

 

while I reach out with my (maybe everything will be

all) right hand almosting the future that I can hear

mutinous in the dark, but just a fingernail beyond

 

like trying to track the wing licks of a fugitive something

through a sky without footprints for the favoured fruit

hanging tall from the boughs of the Infinity Tree.

 

And sometimes, really, I would rather not,

but oh, how I grow when I hope.

 

 

 

 

 

Lindsay McLeod trips over the horizon every morning. His poetry has recently found homes in FIREFLY, THE FAT DAMSEL, BURNINGWORD, FIVE2ONE, MAD SWIRL, SICK LIT, LEAVES OF INK, ODDBALL, WORDS DANCE, QUAIL BELL, DRUNK MONKEYS, CORVUS, FOLIATE OAK, BIRD’S THUMB, FINE FLU, DASH, LITERARY NEST and AMARYLLIS. He currently writes on the sandy Southern edge of the world, where he watches the sea and the sky wrestle for supremacy at his letterbox. He prefers to support the underdog. It is presently an each way bet.

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