Leah Angstman has been at this for years, producing books and spaces and relationships between writers and artists. Some of the answers cover things you know, and some might just surprise you. We threw Leah a few curve balls here because we knew that she would rise to the challenge and we knew that she would bring her independent spirit to the process and we weren’t disappointed. Interviewed by Lynn Alexander, for Full Of Crow, December 2012.
LA: I’m sure many people want to know, in your words: Why do you want to be part of the small press?
Leah: It’s cliché to say it feels like family, but the small press is this all-encompassing entity that functions like its own little village. It has the town criers, the town gossip hens, the angry, the depressed, the incarcerated, the good, the bad, and the ugly. I can open a small-press publication and read a fresh, new author right alongside 94-year-old poet laureate Ed Galing, and it doesn’t feel forced or out of place. The playing field is leveled; the authors are all different and quirky—but eternally grateful; and, while a lot of the writing is daring, all of it is honest because the writers don’t hide behind extensive contracts, big paychecks, and high expectations. They are self-aware and write for the love of it, knowing they may never make a buck. Continue Reading…
Posted 4 years, 3 months ago. Add a comment
Richard Godwin interviewing Michael J. Solender at The Slaughterhouse, September 2010.
Michael Solender is known to everyone who visits A Twist Of Noir, where you can find many fine examples of his chiselled dark stories. If you don’t know what I mean check out ‘Seventy-two Hours Or Less’.
He worked for years in Corporate America as a Human Resources professional and is now giving worthy attention to his creative output that ranges from noir to music reviews. He is a consummate professional in his approach to writing and manages to achieve an edginess in his prose that is built on a carefully refined technique.
Michael met me at The Slaughterhouse where we talked about theatre and insects.
Posted 6 years, 6 months ago. Add a comment
Matthew C. Funk is a social media consultant, professional marketing copywriter and writing mentor. He is the editor of the Genre section of the critically acclaimed zine, FictionDaily, and a staff writer for FangirlTastic and Spinetingler Magazine. Interviewed by Lynn Alexander for PRATE.
1. Can you talk a little bit about some of your favorite creative projects? Looking back, what stands out as a novel or screenplay or other work that really puts forth your objectives as a writer, or typifies your style, what says “Matthew C. Funk”?
A: Matthew C. Funk tells the monster’s story. The writing that inspires me most is the writing that takes the reader to a dark place and shows its reflection is not all too different from their own. I have written about Germans and Russians in World War II, slave-peddling pirates during the fall of Republican Rome and outlaws in modern New Orleans slumland, but all of these projects have the same aim: I want to illustrate how the other side thinks and feels, and for those thoughts and feelings to have an effect. Continue Reading…
Posted 6 years, 6 months ago. 1 comment
JM Reinbold of the Written Remains Writers Guild interviewing Sherry Thompson, author of the recently published epic high fantasy, sword and sorcery Earthbow.
JM Reinbold: Hi, Sherry! Please tell us a bit about yourself.
Sherry Thompson: I’m in my sixties, retired, and fairly unconventional. Storytelling is my second career but my first love.
I’m servant to two cats. Khiva, the seal-point Siamese was considered unadoptable by her breeder–terrified of all humans–but we’re good buddies now. Vartha is a black foundling with some Maine Coon mixed in. She’s no longer a kitten but she still acts like one. She’s goofy over cardboard boxes. Khiva comes and tells me when Vartha is misbehaving. Continue Reading…
Posted 6 years, 8 months ago. 1 comment