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Leah Angstman

Leah Angstman has been at this for years, producing books and spaces and relationships between writers and artists. Some of the answers cover things you know, and some might just surprise you. We threw Leah a few curve balls here because we knew that she would rise to the challenge and we knew that she would bring her independent spirit to the process and we weren’t disappointed. Interviewed by Lynn Alexander, for Full Of Crow, December 2012. 

LA: I’m sure many people want to know, in your words: Why do you want to be part of the small press?

Leah: It’s cliché to say it feels like family, but the small press is this all-encompassing entity that functions like its own little village.  It has the town criers, the town gossip hens, the angry, the depressed, the incarcerated, the good, the bad, and the ugly.  I can open a small-press publication and read a fresh, new author right alongside 94-year-old poet laureate Ed Galing, and it doesn’t feel forced or out of place.  The playing field is leveled; the authors are all different and quirky—but eternally grateful; and, while a lot of the writing is daring, all of it is honest because the writers don’t hide behind extensive contracts, big paychecks, and high expectations.  They are self-aware and write for the love of it, knowing they may never make a buck. Continue Reading…

Posted 4 years, 2 months ago.

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Tim Gaze

Tim Gaze is the publisher of Asemic Magazine, a publication dedicated to the presentation of Asemic writing. Interviewed by Lynn Alexander.

By Tim Gaze

By Tim Gaze


ASEMIC:
It looks like writing, but we can’t quite read it.
I call works like this “asemic writing”.

LA: Starting off with asemic writing, how did you become interested? Do you find yourself explaining what it is, only to be asked why you do it? Not to say that there even has to be a reason for art or writing, but people often want one or feel entitled to one, to some kind of justification. Do people ask about your objectives with asemic work?

Do you find that people easily misunderstand?

TG: I used to write quirky fiction & poetry. somehow, after a holiday in Indonesia, talking in Bahasa Indonesia for 2 months, I started to make wordless squiggles of symbols. Continue Reading…

Posted 7 years, 3 months ago.

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