{"id":334,"date":"2011-04-18T02:36:19","date_gmt":"2011-04-18T02:36:19","guid":{"rendered":"http:\/\/www.fullofcrow.com\/crowreviews\/?p=334"},"modified":"2011-04-19T04:01:49","modified_gmt":"2011-04-19T04:01:49","slug":"sf-poet-steps-up-jazzbo-wind","status":"publish","type":"post","link":"https:\/\/www.fullofcrow.com\/crowreviews\/2011\/04\/sf-poet-steps-up-jazzbo-wind\/","title":{"rendered":"SF Poet Steps Up: Jazzbo Wind"},"content":{"rendered":"

\"\"<\/a>“Jazzbo Wind”, by Michael Layne Heath, published by Kendra Steiner Editions, reviewed by Paul Corman-Roberts for Full Of Crow.<\/em><\/p>\n

Michael Layne Heath\u2019s poetry is about nothing if not music. \u00a0An original Washington DC punk rocker expatriated to San Francisco, Heath has found himself a nice little home with Kendra Steiner Editions, a poetry press that has now also become, surprise, surprise, a music label as well. \u00a0KSE publisher Bill Shute has had a long standing commitment to independent rock and roll and literature, and he\u2019s got the writers to back up the commitment from the literary side of the enterprise with other rock \u00a0writers like A.J. Kaufman and Doug Draime.<\/p>\n

Heath however, may be the most \u201cRock & Roll\u201d of poets in the KSE house. \u00a0While the long periods of his life living hard and broke in pursuit of the glory of the literary and rock music lifestyles have been well documented in previous titles, his third and most recent title for KSE, \u201cJazzbo Wind\u201d represents another significant step forward in his commitment to deeper poetry. Gone are the exploits of the fire breathing exploits of the street hustler (though they do get a nod in his poem \u201cGolden Gate Park, 1992.\u201d) Instead, Heath opens the collection with a surprising quatrain which even rhymes on the B lines (& how often do we see that anymore?) romantically titled \u201cThe Last Testament of Charlie Nothing,\u201d quite literally a smart and satisfying pop song from a traditional rock writer.<\/p>\n

But in between the bookend poems (the title poem concludes the chap) Heath digs deeper:<\/p>\n

 <\/p>\n

Look out honey
\nThey\u2019re misusing technology
\nToo busy looking in their hands
\nTo make nary an apology<\/p>\n

Consider this then
\nMy clawing out of the corner
\nI was forced into by your mediocracy<\/p>\n

Consider this then
\nYour final notice
\nYour welcome mat heartily shredded
\nYour contact unwelcome
\nAnd overtures better off recycled
\nLike the a capracio scores of historical discord<\/p>\n

For I altogether prefer
\nSure shot poems from
\nOccasionally damaged but
\nInvaluable players<\/p>\n

From \u201cOut Lemons Out\u201d<\/em><\/p>\n

The most refreshing thing about Heath\u2019s poetry is that it\u2019s not afraid to be poetry, that is, it\u2019s not too cool to be poetry\u2026which is actually the essence of real cool. \u00a0Heath praises other poets in the Bay Area; he touchstones on musical influences and genres, and yes, as pointed out previously, he rhymes. \u00a0It\u2019s poetry that is comfortable with itself as poetry, and this conceit forms a kind of freedom for the writer of such poetry, and Heath makes the most of it to tell his truth, which is easy to see as real and genuine.<\/p>\n

 <\/p>\n

An exchange of angry words, empty wine bottles
\nRolling across scarce cubic feet of
\nWorn carpet, exposed varnish wood.<\/p>\n

An emaciated frame, once termed consumptive
\nFranklin topiary skull, stunned afternoon drunkard
\nSitting emotional yet mute amidst his archives.<\/p>\n

In the car going home,
\nA new Rolling Stones song on the radio,
\nResolved to burn creative writing notebooks,
\nAvoid corpuscular imperative;
\nPick up a guitar, a microphone.
\nTake a safer, healthier path.
\n(It didn\u2019t last)<\/p>\n

From The Bloodline of Words<\/em>
\n<\/p>\n

\nIn other words, Michael Layne Heath will always have roots as Rock & Roll poet, but his poetry has long since transcended that simplistic label.<\/p>\n

Visit Kendra Steiner Editions here. <\/a><\/p>\n

The following is from Bill Shute, for KSE, about “Jazzbo Wind” and Michael Layne Heath:<\/h2>\n

KSE is proud to announce the publication of the sixth poetry chapbook (his fourth for KSE) by San Francisco\u2019s MICHAEL LAYNE HEATH<\/strong>, \u201cJAZZBO WIND\u201d (KSE #185). <\/strong>Mr. Heath was one of the founding-fathers of punk-rock writing with his seminal VINTAGE VIOLENCE \u2018zine, covering the under-rated Washington DC area scene in the late 70\u2032s, and then moving into the early 80\u2032s he was a fixture at other \u2018zines of the day such as CAPITOL CRISIS and TRULY NEEDY. He\u2019s been one of my favorite writers for 30+ years, and he was one of the first authors I approached to join the KSE family.<\/p>\n

Michael moved to San Francisco in 1992 and began taking his work to new levels as he moved into poetry, a perfect fit as his writing always had the specificity and detail and metaphor needed for verse. With\u00a0the \u00a0musicality one would expect, a\u00a0timelessly hip voice, a mastery of reference and allusion, and a gritty streetwise presence\u2014along with a cynical wit and a unique ability to capture the delicious pain of longing and\u00a0physical desire\u00a0in a way that is neither cloying nor cliche-ridden\u2014Michael\u2019s poetry is a breath of fresh air in today\u2019s phony poetry world of post-Bukowski losers and posers and pretentious academic pasticheurs.<\/em><\/p>\n

Like Corso or Patti Smith, Heath often writes from a poet-finding-his\/her-way-in-a-barren-world persona, on the hungry streets and in the seedy transient hotels of San Francisco, seeking transcendence through a cheap thrill, looking to score, looking to connect with a fellow member of the diaspora, his head full of ornate Nino Rota film soundtracks and trippy Jamaican dub, his stomach empty, his heart overflowing, paying for drinks with pocket change, selling his Kerouac books and Prince Far I albums to pay the overdue rent, wondering if that lanky, ponytailed, sandy-haired, jean-jacketed guy from the midwest\u00a0at the other end of the bar\u00a0notices him, and wondering how he can get busfare home\u2026if indeed he goes home tonight.<\/p>\n

Michael Layne Heath creates\/evokes a rich sensory world in his poetry, and we readers share in the poet\u2019s insights, fears, and small pleasures. He\u2019s intimate without being confessional, and he always leaves a lot unsaid, so his work cries out for multiple readings and also begs to be read aloud and savored. JAZZBO WIND may be only an 8-page chapbook, but it\u2019s got far more content and far more depth than most 300-page books. Mr. Heath is, to me, one of the ten most essential poets writing in America today\u2026no surprise that one of his earlier KSE chapbooks was listed as one of the ten best reads of the year (2007)\u00a0in Arthur Magazine. This is a hand-assembled, hand-numbered edition of 67 copies, available for $5 postpaid ANYWHERE.<\/p>\n","protected":false},"excerpt":{"rendered":"

“Jazzbo Wind”, by Michael Layne Heath, published by Kendra Steiner Editions, reviewed by Paul Corman-Roberts for Full Of Crow. Michael Layne Heath\u2019s poetry is about nothing if not music. \u00a0An original Washington DC punk rocker expatriated to San Francisco, Heath has found himself a nice little home with Kendra Steiner \u2026 Continue reading → <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[11],"tags":[54,157,77,78,156,158,90,226],"class_list":["post-334","post","type-post","status-publish","format-standard","hentry","category-poetry","tag-crow-reviews","tag-jazzbo-wind","tag-kendra-steiner-editions","tag-kse","tag-michael-layne-heath","tag-music","tag-paul-corman-roberts","tag-poetry"],"yoast_head":"\nSF Poet Steps Up: Jazzbo Wind - Crow Reviews<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fullofcrow.com\/crowreviews\/2011\/04\/sf-poet-steps-up-jazzbo-wind\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SF Poet Steps Up: Jazzbo Wind - Crow Reviews\" \/>\n<meta property=\"og:description\" content=\"“Jazzbo Wind”, by Michael Layne Heath, published by Kendra Steiner Editions, reviewed by Paul Corman-Roberts for Full Of Crow. 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