{"id":767,"date":"2010-04-12T19:00:39","date_gmt":"2010-04-13T00:00:39","guid":{"rendered":"http:\/\/fullofcrow.com\/poetry\/?p=767"},"modified":"2010-04-12T19:00:39","modified_gmt":"2010-04-13T00:00:39","slug":"adam-henry-carriere","status":"publish","type":"post","link":"https:\/\/www.fullofcrow.com\/poetry\/2010\/04\/adam-henry-carriere\/","title":{"rendered":"Adam Henry Carriere"},"content":{"rendered":"<p><strong>Weather<\/strong><\/p>\n<p>Here, have a tie-dye<\/p>\n<p>on those stripes,<\/p>\n<p>just a touch of white<\/p>\n<p>trash black on those<\/p>\n<p>flaming Hawaiian flowers;<\/p>\n<p>It\u2019s suffering succotash,<\/p>\n<p>dear, a hard-won head<\/p>\n<p><em>ache <\/em><\/p>\n<p>a purple-headed heart<\/p>\n<p><em>ache <\/em><\/p>\n<p>every blasted throb<\/p>\n<p>a 9-to-5 retail job.<\/p>\n<p><em>There is scientific interest <\/em><\/p>\n<p><em>in your own destabilization, <\/em><\/p>\n<p><em>clothed to the point of suffocation;<\/em><\/p>\n<p>major dope addiction<\/p>\n<p>dulling a literary dullard\u2019s<\/p>\n<p>pain<\/p>\n<p>with stutters of sodomophobic<\/p>\n<p>relief.<\/p>\n<p><strong>Trading Cards<\/strong><\/p>\n<p>shy boy over there in the dark closet corner<\/p>\n<p>rum and coke bought with four appropriate queens<\/p>\n<p>leave the disorder and win two thousand Sahara dollars<\/p>\n<p>little big smoker&#8217;s breath blond<\/p>\n<p>awesome dick duel sound effects<\/p>\n<p>great Vegas comp room invest\u00adment<\/p>\n<p>baby gay behind the magazines<\/p>\n<p>longing looks of solitary prom night lust<\/p>\n<p>three hour naked Italian opera hug<\/p>\n<p>shower and stay alone<\/p>\n<p>parking lot stairway erection final act<\/p>\n<p>don&#8217;t remember the buffed bald\u00ading name queen<\/p>\n<p>cheesy client confusion luxury room moves<\/p>\n<p>unrewarded fake date cab fare efforts<\/p>\n<p>cheap little man boy Charlie Brown look-a-like<\/p>\n<p>back of the bookstore mouth seduction<\/p>\n<p>midnight friends versus reality divorce<\/p>\n<p>PWA dinner fee rent-a-car scene<\/p>\n<p>no drug money hostile Key trash bitch<\/p>\n<p>babble drugs leftover bourbon holding on<\/p>\n<p>long haired jail bait jail bird<\/p>\n<p>garage hugging cracker drawl and all<\/p>\n<p>bed laying stoner waiting to get laid<\/p>\n<p>Alabama butt boy booze hound blow job buddy<\/p>\n<p>no name Fremont welcome wagon rental<\/p>\n<p>cheap train station trade<\/p>\n<p>summer too hot for homos in heat<\/p>\n<p>hand painted olive oil body<\/p>\n<p>one sided juice without phone numbers<\/p>\n<p>dirty politeness look all round later<\/p>\n<p>drop dead little dumb homeless boy<\/p>\n<p>overpaid with beer and a silk tie<\/p>\n<p>inscrutable nip bar bitch<\/p>\n<p>package showing oh so sorry<\/p>\n<p>oh sexy man oh let me touch no kiss oh sexy man<\/p>\n<p>smart and shrewd German rail slut<\/p>\n<p>leggy long hair sweet foreskin cowboy<\/p>\n<p>video booth immoderation and sophisticated conversation<\/p>\n<p>named after a poet street ad\u00address for special friends<\/p>\n<p>let&#8217;s make a thank you for the cocktail deal<\/p>\n<p>Hawaii orphan business talk<\/p>\n<p>pseudo bonding psycho Tuesday boyfriend<\/p>\n<p>hidden gentlemen&#8217;s shirt lure hard-on<\/p>\n<p>fag friendship freak out flee\u00ading<\/p>\n<p>ass aperitif room service<\/p>\n<p>hell of an old lechered student doppelganger turn on<\/p>\n<p>wee wee hour stereo enjoyment<\/p>\n<p>big time new car and new house pro<\/p>\n<p>eminent ad postcard and word of dick breath mouth<\/p>\n<p>a Coronado beach boy to remem\u00adber<\/p>\n<p>so desperate duckling street trade<\/p>\n<p>nothing but boy trouble beer bust<\/p>\n<p>same sorry faces looking for Mr. Goodbarfag<\/p>\n<p>horny smoky drunk and still choosy<\/p>\n<p>wound too tight how ya doin<\/p>\n<p>not much pride in this kind of flex<\/p>\n<p>date dick or daily darling<\/p>\n<p>the dancing gypsies take the wrong angles<\/p>\n<p>come to chat, leave depressed<\/p>\n<p>the gulag is getting to me<\/p>\n<p><strong>Seventy Octobers<\/strong><\/p>\n<p><em>to DSCH&#8230;<\/em><\/p>\n<p><strong><em> <\/em><\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><em>I &#8211; Lament for a dead infant<\/em><\/p>\n<p>In the sepia glow of hope,<\/p>\n<p>we try to forgive the newborn<\/p>\n<p>for one day knowing they will expire,<\/p>\n<p>reminding us how fertile the dust is<\/p>\n<p>that runs like cycles of the moon<\/p>\n<p>beneath our quivering skin,<\/p>\n<p>a malformed secret we keep from babies<\/p>\n<p>lest they choose to disappear before they wake.<\/p>\n<p><em> <\/em><\/p>\n<p><em>II &#8211; Fussy Mummy &amp; Auntie<\/em><\/p>\n<p>Fuss and fiddle, this cow licked, unparted hair,<\/p>\n<p>it\u2019s pictures today, everyone will make fun;<\/p>\n<p>tuss and tangle, your freshly rumpled suit,<\/p>\n<p>it\u2019s church tomorrow, God will know you\u2019re not freshly pressed;<\/p>\n<p>bubble and squeak, the pepper in such mean boyishness,<\/p>\n<p>it\u2019s girls who cry in the playground, shameful dancing like that;<\/p>\n<p>roil and rubble, our good names ruined,<\/p>\n<p>it\u2019s all those damned books, cleaving a river between us.<\/p>\n<p><em>III<\/em><em> &#8211; Lullaby<\/em><\/p>\n<p>We tell ourselves, sing babies to sleep, caress them.<\/p>\n<p>Buy flowers, say we love someone, or candy<\/p>\n<p>to sweeten the pebbles rolling up the path.<\/p>\n<p>It\u2019s all indignity to want the candy store<\/p>\n<p>or the garden or the bakery or the toy shop<\/p>\n<p>just to smell like we\u2019re still breathing.<\/p>\n<p>We make a hobby out of sketching <em>lieder<\/em>,<\/p>\n<p>to make believe our psyche won\u2019t feel autumn,<\/p>\n<p>to ignore the winter scribbled in our margins.<\/p>\n<p><em>IV &#8211; Before a Long Separation<\/em><\/p>\n<p>This lifetime of wander, thinking,<\/p>\n<p>in some queer moment,<\/p>\n<p>an embarrassing sleep will emerge.<\/p>\n<p>No plant or animal or fish knows such,<\/p>\n<p>whether they profit, unclear.<\/p>\n<p>Dressing for work appears<\/p>\n<p>existentially redundant, eating, sex<\/p>\n<p>other than liking the taste of it,<\/p>\n<p>trying to answer questions tired<\/p>\n<p>wonder gets that no one asked.<\/p>\n<p>All the world, crowded, badly ventilated<\/p>\n<p>and we\u2019re already bound, not speaking<\/p>\n<p>from matrices of doubt<\/p>\n<p>all nature has forgotten doesn\u2019t exist.<\/p>\n<p><em>V &#8211; A Warning<\/em><\/p>\n<p>If ever an augury had graced the sky, it was some time ago.<\/p>\n<p>The rest is just good manners, as the clock finds midnight<\/p>\n<p>and we realize whole atlases had been inside our eyes<\/p>\n<p>as we travel by now through ourselves, on the way<\/p>\n<p>to a terminus we never really left in the first place.<\/p>\n<p>Mothers, they knew this chime all along.<\/p>\n<p><em>VI &#8211; The Deserted Father<\/em><\/p>\n<p>The warm hand that squeezes a boy\u2019s<\/p>\n<p>shoulder never landed, the idea of it<\/p>\n<p>a pilgrimage whose stomach growls.<\/p>\n<p>Too much grey biography &#8211;<\/p>\n<p>a manhood, a birthright, even &#8211;<\/p>\n<p>seems mislaid in baggage no one<\/p>\n<p>can find on the accepted blueprints.<\/p>\n<p>No tears follow. Old age got to them.<\/p>\n<p><em> <\/em><\/p>\n<p><em>VII &#8211; A Song of Poverty<\/em><\/p>\n<p>The radish and onion grill our character<\/p>\n<p>but is less than a withered grain of rice.<\/p>\n<p>A dead cell phone cries out in tongues<\/p>\n<p>but is a chorus compared to a throat\u2019s crackle.<\/p>\n<p>The traffic \u2013 the horror!<\/p>\n<p>but a sniffle in a buffet of malady.<\/p>\n<p>Every landscape is a masquerade, only<\/p>\n<p>a burial ground truly recognize the days.<\/p>\n<p><em>VIII &#8211; Winter<\/em><\/p>\n<p>The dust of last season\u2019s grass, tidied in frost<\/p>\n<p>and yellow, unknowing mud frozen into place<\/p>\n<p>as corners of forgotten leaves glisten across<\/p>\n<p>the swirl of ghostly snow, breathing<\/p>\n<p>with diamond finality our shared epoch,<\/p>\n<p>the sleep of our remarkable compassion.<\/p>\n<p><em>IX &#8211; The Good Life<\/em><\/p>\n<p>The imprisoned revolutionaries toil in the kitchens<\/p>\n<p>to feed victorious guests clamoring in the doorway.<\/p>\n<p>The diseased build and rebuild the same palace, carving<\/p>\n<p>over-sized furniture from the very churches that lock them out.<\/p>\n<p>The useless, near extinct animals form a galloping choir<\/p>\n<p>harvested to perform Wagner, poolside nightly.<\/p>\n<p>Whole oceans turned brown are siphoned into canteens<\/p>\n<p>owned by the lovely and the landed, as if by law, if not destiny.<\/p>\n<p><em>X &#8211; A Girl\u2019s Song<\/em><\/p>\n<p>In a crystal parfait of jewels, a woman sparkles,<\/p>\n<p>a golden nectar schooling verse<\/p>\n<p>in a synthesis of every gender, where pleasure &#8211;<\/p>\n<p>the irreversible binomial of all eventide<\/p>\n<p>in an earth where symbiotics blend space and time.<\/p>\n<p><em>XI &#8211; Happiness<\/em><\/p>\n<p>There&#8217;s a special desk at the State Office<\/p>\n<p>of Dead Letters just for me.<\/p>\n<p>In my postal egotism I keep writing, on tenterhooks<\/p>\n<p>I&#8217;ll one day answer myself by mistake.<\/p>\n<p>But in the Ides night, an anniversary letter arrived<\/p>\n<p>that sealed my imaginings with its tang.<\/p>\n<p>To this I&#8217;m required new-fangled postage,<\/p>\n<p>perhaps even a new domicile so that I&#8217;m sure<\/p>\n<p>to receive seventy eras of new correspondence<\/p>\n<p>following me, from compassion through liberation.<\/p>\n<p><em>Adam Henry Carri\u00e8re<\/em> is a poet, teacher, and former NPR broadcaster. His writing has appeared in <em>Tonopah Review, Mad Swirl,<\/em> <em>Apparatus, decomP, Alternative Reel, The Smoking Book, Counterexample Poetics, Pushing the Envelope, Mayo Review, Juked,\u00a0 Zygote in My Coffee,\u00a0 Chiron Review, Strip, Tattoo Highway,<\/em> and <em>The Bicycle Review.<\/em> <em>Born on the South Side of Chicago, Adam now resides in Las Vegas, where he publishes<\/em><em> <\/em><a href=\"http:\/\/dansemacabre.art.officelive.com\/default.aspx\" target=\"_blank\"><em>Danse Macabre<\/em><\/a><em>, Nevada\u2019s first online literary magazine. He serves on <\/em><em>the Editorial Board of Popular Culture Review, and has been awarded the Literary Arts Fellowship in Poetry from the Nevada Arts Council.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Weather Here, have a tie-dye on those stripes, just a touch of white trash black on those flaming Hawaiian flowers; It\u2019s suffering succotash, dear, a hard-won head ache a purple-headed heart ache every blasted throb a 9-to-5 retail job. There is scientific interest in your own destabilization, clothed to the point of suffocation; major dope [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[12],"class_list":["post-767","post","type-post","status-publish","format-standard","hentry","category-april-2010","tag-adam-henry-carriere"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Adam Henry Carriere - Full Of Crow: Poetry (Archives)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fullofcrow.com\/poetry\/2010\/04\/adam-henry-carriere\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Adam Henry Carriere - Full Of Crow: Poetry (Archives)\" \/>\n<meta property=\"og:description\" content=\"Weather Here, have a tie-dye on those stripes, just a touch of white trash black on those flaming Hawaiian flowers; It\u2019s suffering succotash, dear, a hard-won head ache a purple-headed heart ache every blasted throb a 9-to-5 retail job. 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