"Poet Laureate Of A Dirty Garage", Wayne Mason

“Poet Laureate Of A Dirty Garage” by Wayne Mason, erbacce-press, 2009.

 Wayne Mason has been lauded as a working man’s poet and that is clearly defined in this collection of poems published by erbacce-press.  Poet Laureate Of A Dirty Garage is equal parts blue collar factory man, lone writer, and side-car Buddhist.

He is at his best in the poems “Defeated On Monday Morning”, “Poet Laureate of My Garage”, “Martyrs”, and “Swing Your Pen Like A Hammer And Sickle”.  Wayne understands the essence of the common man and how hard it is to find glimmers of hope amongst the day to day plodding movements of punching the clock.  He explores the idea that his words can chip away at this monotony, but that they might not save any lives from the factory….except his own.

 

Wayne grazes over images of Buddha in this collection, but does not dig very deep though his fascination is noted.  The recurrent mention of Buddha speaks to “what if” there is something more than this continuous factory life that maybe something exists beyond the things that might make life so hard.

 

My favorite poem in this 18 poem collection is “Dreaming of Han Shan”.

 

“I was only 16

when I read the

cold mountain

poems of

Han Shan and

the simplicity

like Chinese

brush strokes

on rice paper

kicked me

in the gut

and more

than ever I

saw the truth”

 

This collection speaks for the factory worker and begins to stretch its arms out to new age ideas.  This chap by Wayne Mason can be purchased from erbacce-press by going to: www.erbacce-press.com for more details.

Christopher Luna: Collage, Full of Crow Galleries

Christopher Luna: Collage, in Full of Crow Galleries. “Revved -Up Revisionists”

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Revved-Up Revisionists

Revved-Up Revisionists

Christopher Luna is one of the featured artists for 2009 in the Full of Crow Galleries, a virtual showcase for artists of diverse backgrounds working with mixed media and formats: mail art, collage, digital art, photography, vispo, graphic art.

Luna’s art shares elements with his poetry: pop culture icons, the juxtaposition of text and celebrities and symbols and at times- some pretty unlikely combinations that intrigue and perplex.

A follower of his art and poetry would recognize immediately that he returns in these pieces, as always, to the role of observer and recorder, witness and messenger through positioning and context. Consider Spacious Interior: Two figures are facing the couple, observing them. Two faces, perhaps perceiving the couple in different ways. They are different faces, in scale and presentation. They both face the couple- what are they saying about space, about relationships, about intimacy and the ways people can be close, yet maintain boundaries in their spaces? The larger face looks down, looming with glasses, almost to evoke the silent observer of The Great Gatsby in the Wasteland scenery, who serves as an omniscient-type critic.(Continued) Continue reading