Apostle Rising, by Richard Godwin

Apostle Rising, by Richard Godwin, published by Black Jackal Books. Reviewed for Full Of Crow by Elynn Alexander.

In his first novel Apostle Rising, Richard Godwin emerges as a writer willing to take risks because of his confidence in the reader. He understands that on one level we want to be passively entertained, and that is what sells in a market dominated by vampire clone stories and the prattle of politicians-gone -celebrity. The rubric for success seems to include attention-getting crossover and repetition, feeding the appetite  of the consumer for familiarity and predictability. In putting out a genre work- Godwin is responsive to this. Called both “police procedural” and a “psychological thriller”, there is certainly a niche market in mind. But one characteristic of a good novel is the ability to resonate with others, particularly those who don’t tend to frequent those sections in the book store, a sort of “universality” about the book’s appeal. Continue reading

This Reality Of Man, by Michael Aaron Casares

“This Reality Of Man”, poetry by Michael Aaron Casares, published by Lizard’s Tale press, 2010. Reviewed by Elynn Alexander for Full of Crow.

Michael Aaron Casares takes a candid look at humanity, as an observer at times, at other times a participant. He asks us how we spend our time, what we are entitled to, what it means to live with authenticity, to be a “citizen” with responsibilities, to touch down inside our own lives in the context of the “mad swirl”. We live in a vast unknowable, without any sense of how these pieces fit together. Continue reading

Twenty Stories, Kristin Fouquet

Richard Godwin reviews “Twenty Stories” by Kristin Fouquet.

What immediately struck me as soon as I started reading these excellent stories, is that Kristin Fouquet inhabits the European tradition of literature.

She uses detailed and concise description which she has mastered to an unusual degree to conjure characters quickly from the page and render a narrative with immediate impact.
There is heartache here and humour, there is tragedy and insight.

From the brilliant opening story ‘The Dead Redhead’, which has the courage to remain equivocal, through the excellent ‘The Kitchen’, the reader gets an immediate sense of the author’s playful eroticism and control of words. Continue reading